For my UK readers
By the way, it's crazy to think ARCs are going out in the UK now!!!
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Hi everyone!
Back from my pre-pub tour, which turned out to be one of the best experiences I’ve had on my road to publication so far. I'll be honest – I was really nervous going into it, not knowing what to expect, but looking back, there was absolutely no reason to be nervous at all. Everyone was so friendly, enthusiastic, passionate about books, and incredibly easy going.
Sunday
I flew into Michigan Sunday afternoon, and had the pleasure of meeting Victor Iannone, Simon & Schuster’s National Accounts Manager. I can say with absolute certainty that Victor is one of the friendliest people I’ve ever met. He put me right at ease and I enjoyed every moment of our time together. He gave me a tour of Ann Arbor – so many trees! (But I guess that’s what you expect from a city named Ann Arbor!) The University of Michigan has a beautiful campus, surrounded by several old churches like these:
The Methodist church (last picture) was directly outside my hotel window – not a bad view! Sunday evening I roamed campus and the surrounding neighborhoods. Main Street reminded me a lot of Church Street in Burlington, Vermont. There were lots of boutiques and quaint restaurants with outside seating. And being the ice cream nut that I am, I was not about to miss stopping by Kilwin's to get a cone. I tried Ann Arbor Mud to tip my hat to the locals.
At dark, I came home and read a little of Sarah Rees Brennan’s The Demon’s Lexicon, watched an episode of Law & Order (I rarely get to watch TV at home, so this was a special treat. Plus, I <3 Chris Noth!) and then it was off to bed. Big day tomorrow!
Let's talk about one of the most exciting parts of the publishing journey. Ta da! Receiving and signing The Contract:
The point between selling the book (the book deal) and receipt of the contract varies, but 4-6 months is typical. Ninety nine percent of authors experience anxiety attacks during this waiting period, wondering if their editor will change her mind about acquiring the manuscript. This is called Being Neurotic. There is no cure, not even receipt of The Contract. But it helps.
The Contract is a written agreement between the publisher and the author in which both parties agree to work together to help the book be as successful as possible. The publisher promises to edit, publish and sell the book, and the author promises to help these efforts to the best of her ability.
Some parts of the contract make the author smile. Like learning her publisher will consult with her in regard to the book's cover art.
Some parts make the author laugh. Like the fact that theme park rights are reserved by the author.
Some parts make the author think dreamily of the future. Like learning her manuscript will at some point be an actual, physical hardbound book.
After carefully reading over The Contract, and agreeing to the terms, the author signs her name on the line:
While most authors are severely serious creatures, signing The Contract has been known to bring out a goofy, cheesy side. Although it is worthy of a good eyeroll, some authors do in fact kiss The Contract.
Filling out a publicity questionnaire probably isn't the most exciting part of the publishing journey, but it is a useful tool for authors to brainstorm publicity/marketing ideas. The questionnaire comes from the publisher and will generally ask the author to list any media contacts they have, journalists who might be interested in covering the book, speaking commitments the author has made, and any other ideas the author might have to raise the book's visibility and drive sales. They questionnaire will also ask the author to list potential blurbers for their book.
Established authors with a loyal following make excellent blurbers. If a reader walks into a bookstore and notices a book on the shelf with a blurb from one of their favorite authors, the book goes from being just another book, into a hot new book the reader wants to buy.
Here are a few example blurbs:
“If I could eat this novel, I would.” --Alice Seabold on Karen Joy Fowler's THE JANE AUSTEN BOOK CLUB
“Zusak doesn't sugarcoat anything, but he makes his ostensibly gloomy subject bearable the same way Kurt Vonnegut did in SLAUGHTERHOUSE FIVE: with grim, darkly consoling humor.” --Time on Markus Zusak's THE BOOK THIEF
“Virtuoso plot twists . . . Brown's latest thriller engages the primal senses.” --Kirkus Reviews on Sandra Brown's CHILL FACTOR.
As I filled out my publicity questionnaire, I had a lot of fun making a wish list of potential blurbers for HUSH HUSH. I mean a lot. I aimed high. Really high. Maybe I even got a little carried away. I stopped short of putting Diana Gabaldon on the list, but believe me, I was tempted.